Fall Play information
STEEL MAGNOLIAS
Steel Magnolias is a heartwarming and poignant play set in a small Louisiana town, centering around the lives of six women who regularly gather at Truvy’s beauty salon. The story unfolds as these women, each with their unique personalities and struggles, share their joys, sorrows, and humor. The central plot revolves around Shelby, a young diabetic woman, and her decision to have a child despite the health risks involved. Her mother, M’Lynn, is deeply concerned but supports her daughter's choice. As Shelby's health deteriorates after giving birth, the close-knit group of friends rallies around her, showing the strength of their bond. The play delves into themes of friendship, love, loss, and the resilience of women. Tragedy strikes when Shelby passes away due to complications from her condition, leaving her friends and family to cope with the loss. However, the play balances this sadness with moments of humor and warmth, highlighting the enduring spirit of the characters. Steel Magnolias ultimately celebrates the power of female friendship and the ability to find hope and laughter even in the face of adversity.
Cast:
M’LYNN EATENTON: ELIZABETH MCMANUS
SHELBY EATENTON-LATCHERIE: BECCA AXLER
TRUVY JONES: ELLIE KEROUAC
ANNELLE DUPUY-DESOTO: AILEEN COLARUSSO
CLAIREE BELCHER: MAHEEN YASIN
OUISER BOUDREAUX: SOPHIE SANTORIELLO
ENSEMBLE: YMA ESPINAL, EMILY PAGE, KATIE VARGA
Crew:
PRODUCTION STAGE MANAGER: MIKEY MASER
ASSISTANT STAGE MANAGERS:ANDRE DA ROCHA AND LANCE PERLATTI
ASSISTANT TO THE DIRECTORS/LIGHTING ASSISTANT: ATHENA HALEWICZ
TECHNICAL DIRECTORS: ISABELLA CHEN AND ZACHARY ENGLISH
BUILD CREW/SOUND OPERATOR: ALEKS KOHUT
BUILD CREW/RUN CREW: GIULIA BAMBACI, VALENTINA BISHOP,
ALARA DEMIREZEN, DAANIA FAKHAR, ALLIE LAMPF, ANNA TRUFFINI
Important Files
Interest Meeting
Wednesday, 9/4 at 4:00PM in Auditorium
Cast Auditions
Tuesday, 9/10 at 4PM in Auditorium
Callbacks
Tuesday, 9/10 at 6PM in Auditorium
Crew Applications
Due by Tuesday, 9/10 at 11:59PM on Google Classroom
Read Through
Thursday, 9/12 at 3:45PM in Auditorium
Mandatory Rehearsals Begin
Wednesday, 10/30
Strike
Sunday, 11/17
Character Descriptions
M’Lynn Eatenton (f): Compassionate. Resilient. Shelby’s protective mother, who navigates the complex emotions of watching her daughter make risky choices. M’Lynn is a strong and nurturing figure who often hides her own vulnerabilities to support others. She is a social worker, deeply connected to her family, and struggles with the balance between caring for her daughter and letting her live her own life. A wife, a mother, a friend.
Shelby Eatenton-Latcherie (f): Spirited. Stubborn. A young woman determined to live life fully, despite her battle with diabetes. Shelby dreams of having a family and refuses to let her illness define her. Her lively and optimistic personality makes her the heart of the group, but her health decisions cause tension and concern. Shelby is both a source of joy and worry for her loved ones. A daughter, a wife, a mother.
Truvy Jones (f): Warm-hearted. Sassy. The vibrant owner of the beauty salon where the women gather to share their lives. Truvy is always ready with a joke or a kind word, providing both beauty services and emotional support. She embraces life with gusto, balancing her professional life with her role as a wife and mother. Truvy’s salon is a haven for the women, where they can be themselves without judgment. A friend, a wife, a mother.
Annelle Dupuy-DeSoto (f): Timid. Devout. A young woman with a troubled past who finds solace and strength in her faith after starting work at Truvy’s salon. Annelle’s journey from shy newcomer to confident, devout Christian is marked by her search for stability and belonging. Her transformation brings a fresh dynamic to the group, as she navigates her newfound beliefs with her desire to fit in. A friend, a wife.
Clairee Belcher (f): Wealthy. Witty. The witty, recently widowed former mayor’s wife who uses humor as a coping mechanism. Clairee enjoys the finer things in life and isn’t afraid to speak her mind. She is fiercely loyal to her friends, often providing sharp, insightful observations about the world around her. Her wealth allows her a certain freedom, but she values the companionship and support of the other women above all. A friend, a widow.
Ouiser Boudreaux (f): Feisty. Cynical. The town’s lovable curmudgeon with a tough exterior and a soft heart. Ouiser is blunt, with a no-nonsense attitude that can come off as abrasive, but underneath her prickly persona, she cares deeply for her friends. Wealthy and independent, she often voices the thoughts others are too polite to say, bringing a refreshing honesty to the group. A friend, a widow, a dog owner.
Please note, we may consider adding male ensemble members to Steel Magnolias in non-speaking roles to deepen the world of the play and enhance the overall audience experience. These roles could engage with the cast during pre-show, intermission, and post-show moments, helping to set the tone and immerse viewers in the small-town atmosphere. Males are welcome and encouraged to audition for this play.
Audition Monologues
Prepare ONE of the following monologues for your audition. Pick the monologues that you feel most comfortable with in terms of gender. Memorizing your chosen monologues is not required, but strongly encouraged. You are also encouraged to read the play or watch the play to get a sense of the circumstances surrounding these monologues.
At the audition, you will be called into the audition room one-by-one to preform for us. You will slate yourself (say your name and which monologue you have prepared) and perform the monologue once. After you have done the monologue, we may ask you to do it again or ask you other questions to get an idea of who you are as a person and as a performer. Remember when auditioning, take risks and don’t hold anything back! We are looking to seeing you!
From Crimes of the Heart by Beth Henley
Character: Lenny Magrath
Lenny, the eldest of three sisters, struggles with her feelings of loneliness and self-worth.
LENNY: Do you know what it’s like to be the one who’s always responsible, the one who’s always supposed to be in control? I’ve always been the one who stays behind, taking care of things, making sure everything runs smoothly. But nobody ever stops to think about what I want. Or maybe they just assume I don’t have any wants. And the worst part is, I let them! I let them believe that I’m happy being the responsible one, the one who’s got it all together. But the truth is, I’m lonely. I’m so lonely, I can hardly stand it. I never got to have what I wanted, never even got to figure out what that was. I just went along, doing what was expected, and now here I am, all alone in this house, and it feels like it’s closing in on me.
From The Dixie Swim Club by Jones, Hope, and Wooten
Character: Sheree Hollinger
Sheree reflects on the passage of time and the changes in her life as she and her friends reunite for their annual swim club getaway.
SHEREE: You know, when we first started these trips, I thought we had all the time in the world. We were young, fit, and full of energy. We talked about the future like it was this big adventure waiting for us just around the corner. But somewhere along the way, the future turned into the past, and we started losing people. First, it was our parents, then friends, and now… well, now it’s us. I never thought I’d be the one slowing down, needing help to get out of a chair. But here we are. Time’s a funny thing. It slips through your fingers like water, and before you know it, you’re standing here wondering where it all went. But I’ll tell you one thing—these weekends with you all? They’ve been the best part of it. The absolute best.
From The Trip to Bountiful by Horton Foote
Character: Carrie Watts
Carrie, an elderly woman, reflects on her yearning to return to her childhood home in Bountiful, Texas.
CARRIE: I just want to go home. Is that so much to ask? I know it doesn’t make sense to anyone else, but Bountiful is the only place I’ve ever felt at peace. It’s where I was born, where I grew up, where I buried my family. And every night, I dream about it. I dream about the fields, the trees, the smell of the earth after a rain. I can see it so clearly in my mind, it’s like I’m right there. But when I wake up, it’s gone. And I’m stuck here, in this noisy, crowded city that doesn’t care if I’m alive or dead. They say you can’t go home again, but I have to try. I have to see it one last time before I die. I need to feel the soil under my feet, breathe in that air, and know that I’m finally home.
From ‘night, Mother by Marsha Norman
Character: Thelma Cates
Thelma, a mother, confronts her daughter Jessie about Jessie’s decision to end her life.
THELMA: You think you can just walk away from this? From me? You think you can just end it all and leave me here alone to figure out what went wrong? Jessie, I’m your mother! I’m supposed to protect you, take care of you, and I have tried my best, God knows I have. But you—how can you do this to me? How can you be so cruel? Don’t you know what this will do to me? I will never be the same, Jessie. I will never understand. You’re my whole world, and you’re planning to just… disappear. What am I supposed to do without you? How am I supposed to live? You can’t do this, Jessie. You just can’t.
From The Glass Menagerie by Tennessee Williams
Character: Amanda Wingfield
Amanda Wingfield reflects on her past as a Southern belle and her current struggles as a single mother.
AMANDA: I remember the days when I was young, and the world was full of possibilities. I was a girl with charm and grace, and I could have had any boy I wanted. And I did. Gentlemen callers came in droves, each one more handsome and charming than the last. I was the belle of the ball, the center of attention, and I loved every minute of it. But that was a long time ago. Now, I’m just a mother, struggling to raise my children in a world that has changed so much from the one I knew. I don’t know how it happened, but somewhere along the way, I lost that girl who had the world at her feet. And now, all I have are memories of what might have been, and the hope that my children will have the life I never had.
From Talking With… by Jane Martin
Character: Dragons Woman
A woman reflects on her life choices and the meaning she finds in her unusual hobby of caring for her pet iguanas.
DRAGONS WOMAN: You see, people think I’m strange because I keep iguanas. They don’t understand the peace I find in them, the connection. I used to be like everyone else. Had a job, a husband, a house. But it was all wrong. None of it felt real to me, like I was playing a part in someone else’s play. Then I got my first iguana. And suddenly, I had something that was mine, something that made sense to me. They’re like little dragons, these iguanas, with their scales and their ancient eyes. They don’t ask for much, just warmth and food. But they give me something I never had before—a reason to keep going. People laugh at me, think I’m crazy. But I don’t care. I found something that makes me happy, and that’s more than most people can say.
MALE AUDITION OPTION: From The Boys Next Door by Tom Griffin
Character: Jack
Jack, a social worker, reflects on his time working with four mentally disabled men who live together in a small apartment. He is torn between his care for them and his desire to move on with his life.
JACK: You know, there are times when I think I’ve been doing this job too long. I see these guys, every day, living their lives in this little bubble, and I wonder if I’m doing them any good at all. I mean, they’ve got their routines, their quirks, and, sure, they’ve made some progress. But sometimes, I look at them and I think, ‘What’s the point?’ They’re never going to change, not really. They’re always going to need someone to look after them, to make sure they’re okay. And then I start to think about my own life, about how I’m just getting older, and nothing’s really changed for me either. I don’t know. Maybe it’s just the job, maybe it’s me. But I’m starting to wonder if it’s time to move on. To let someone else take over. Someone who still believes they can make a difference. Because, honestly, I’m not sure I believe that anymore.
Crew Positions
We are looking to expand the opportunities for students participating in crew this school year. Crew positions have been divided into two categories: pre-show positions and run-of-show positions. Pre-show positions require work through the entire rehearsal process. Run-of-show positions require work only during the two weeks leading up to the show. Students are welcome to apply for BOTH a pre-show position and a run-of-show position or ONLY a run-of-show position. Please review all responsibilities and time commitments prior to applying for a crew position.
A short crew application will be posted on Google Classroom. Positions will be announced when the cast list is announced. Every position may not be filled.
Pre-Show Positions
Production Stage Manager
Time Commitment: Heavy (Called to All Rehearsals and Crew Days)
Responsibilities:
Create master script that includes all blocking notes and technical cues
Provide actors and crew with daily sign in sheets
Contact actors and crew members that are late or absent from rehearsal
Send daily rehearsal report to all production team members
Serve as liaison between Director and Lighting and Scenic Designers
Assist in the building of the set
Keep daily log of scene changes and music cues
Assist Lighting Designer with all aspects of cue-to-cue
Call show during dress rehearsals and run of show
Close theatre during dress rehearsals and show days (Ensure all props and set pieces are ready for next run
Organize Strike
Assistant Stage Manager
Time Commitment: Heavy (Called to All Rehearsals)
Responsibilities:
Craft contact sheet of all cast and crew members and production team
Set up and break down stage at the beginning and end of rehearsals
Keep daily logs of needed props and costume changes
Set up and organize prop tables; Check prop tables at the beginning and end of all rehearsals
Organize all quick costume and scene changes
Call to places during dress rehearsals and show days
Close theatre during dress rehearsals and show days (Ensure all props and set pieces are ready for next run)
Assistant to the Directors
Time Commitment: Heavy (Called to All Rehearsals)
Responsibilities:
Run daily warms ups with cast
Take Notes for Directors and send out to cast
Run scenes as needed
Run fight calls
Sound Coordinator
Time Commitment: Moderate (Called to read through, and then once per week in September and October. Called to all rehearsals and shows beginning in November.)
Responsibilities:
Attend read through of show
Communicate weekly with Production Stage Manager to assess sound needs and cues for production
Watch rehearsals to gather knowledge of sound needs for production
Collect or create sound cues for production
Annotate sound script
Run sound cues during technical rehearsals and show days
Head of Green Room
Time Commitment: Moderate (Called to read through, and then once per week in September and October. Called to all rehearsals and shows beginning in November.)
Responsibilities:
Attend read through of show
Communicate weekly with Production Stage Manager to assess hair and makeup needs for production
Watch rehearsals to gather knowledge of hair and makeup needs for production
Design a hair and make-up plot for all characters in the production
Purchase supplies needed to complete hair and make-up plot with director’s approval
Provide consultation with each actor to discuss characters hair and make-up
Schedule hair and make-up during technical and dress rehearsals and during the run of the show
Clean and organize green room at the end of each dress rehearsal and show
Create log of make-up supplies available at the end of the show’s run
House Manager
Time Commitment: Minimal (Called to Tech Week rehearsals and all shows.)
Responsibilities:
Assist Stage Manager and Director with design of Lobby Display
Assist Producer with sale and distribution of show t-shirts
Create a schedule for concession supplies and sales
Create a schedule for ushers
Technical Assistant
Time Commitment: Heavy (Called to all build dates. Potentially responsible for building on additional days when the cast is in rehearsal.)
Responsibilities:
Assist Scenic Designer with the creation of the set
Lead student crew members in building of set by delegating tasks
Procure and schedule scenic painters as need
Lighting Assistant
Time Commitment: Moderate (Called to all lighting set-up dates, Tech Week rehearsals and all shows.)
Responsibilities:
Assist Lighting Designer with the creation of lighting plot
Run spotlights for the production
Run light board for the production.
Build Crew
Time Commitment: Moderate (Called to all build dates.)
Responsibilities:
Assist Scenic Designer with the creation of the set
Use tools to build specific set pieces and props.
Paint set as needed
Clean and organize stage area
Strike set at the conclusion of the show
Run-of-Show Positions
Stage Crew/Run Crew
Time Commitment: Moderate (Called for all rehearsals in the month of November.)
Responsibilities:
Assist in the building and painting of set
Watch rehearsals to determine scene changes
Run scene changes during technical and dress rehearsal and during run of show
Ensure that backstage area is clean and orderly after technical and dress rehearsal and during run of show
Green Room Crew
Time Commitment: Moderate (Called for most rehearsals in the month of November.)
Responsibilities:
Assist in the application of hair and makeup during technical and dress rehearsal and during run of show
Ensure that green room is clean and orderly after technical and dress rehearsal and during run of show
Front of House Staff
Time Commitment: Minimal (Called for the shows.)
Assist with the completion of lobby display during tech week
Sell concessions during run of show
Serve as usher during run of show